Before you book: the schedule changes on 9 November 2026

If you are booking for November 2026 onwards, the performance pattern is not the same as it is now. Until 7 November, matinees are on Tuesday, Thursday and Saturday at 3.00pm with evenings Monday to Saturday at 7.30pm.

From 9 November 2026, matinees move to Wednesday, Friday and Saturday at 3.00pm, and Tuesday and Thursday evening performances start at 7.00pm rather than 7.30pm. The rest of the week stays at 7.30pm.

The current company also plays its final performances on 7 November 2026. If seeing a particular cast matters to you, book before that date.

The Mousetrap at a glance

Show
The Mousetrap
Status
Running at St Martin's Theatre, booking to 17 July 2027
Premiere
Ambassadors Theatre, 25 November 1952
At St Martin's since
1974 (52 years at the current venue)
Total performances
Over 30,000 (milestone reached 2025)
Anniversary
Enters its 75th anniversary year in November 2026
Pricing
From £30 through LOVEtheatre. Box office bands vary by day: Tue–Thu from £25, Mon & Fri from £27.50, Sat and peak weeks from £30. Premium seats to £150.
Ways to save
Advance Saver — 20% off when booking around 12 weeks ahead. Rush tickets via TodayTix at £29.50 per performance.
Performance times
To 7 Nov 2026: Mon–Sat 7.30pm; matinees Tue/Thu/Sat 3.00pm. From 9 Nov 2026: matinees Wed/Fri/Sat 3.00pm; Tue & Thu evenings 7.00pm.
Genre
Play (locked-room murder mystery / whodunit)
Running time
Approximately 2 hours 5 minutes, including a 20-minute interval
Age guidance
7+ (under 16s must be accompanied; all children require their own ticket)
Playwright
Agatha Christie
Director
Ian Talbot (current production)
Current cast
Saranna Parlone, Ben Riddle, Ben Galvin and company — to 7 November 2026
Awards
Laurence Olivier Award for Special Recognition (2022); three Guinness World Records
Translated into
27 languages; produced in over 50 countries
Producer
Brian Fenty (2024–present)

Book The Mousetrap — currently booking to 17 July 2027

The Mousetrap continues its record-breaking run at St Martin's Theatre, with booking now extended through the 2026 Christmas season and into the summer of 2027 — carrying the production past its 75th anniversary in November 2026.

  • St Martin's Theatre, London — booking to 17 Jul 2027
  • Mon–Sat evenings 7.30pm
  • Matinees Tue/Thu/Sat 3.00pm (to 7 Nov)
  • Matinees Wed/Fri/Sat 3.00pm (from 9 Nov)
  • Tickets from £30 through LOVEtheatre
  • Advance Saver: 20% off ~12 weeks ahead
  • Group rates for parties of 10+
  • 75th anniversary year begins November 2026

Tickets from £30 · Booking to 17 July 2027 · 75th anniversary year

Book The Mousetrap on LOVEtheatre →

The Mousetrap: still the West End's most reliable whodunit

4.5
★★★★½

LTH Expert Rating

The Verdict

The Mousetrap survives because it is the rare West End show that doesn't try to do anything except what it always did. Agatha Christie wrote it as a short radio play for Queen Mary's 80th birthday in 1947; she adapted it for the stage in 1952; it opened at the Ambassadors Theatre that November and has run continuously ever since, moving across West Street to the slightly larger St Martin's Theatre in 1974. The current production, directed by Ian Talbot, keeps Christie's 1950s tone, the period costumes, the period set, and the post-war atmosphere. New audiences continue to arrive at the same rate they did in 1980 or 2010.

The cast turnover is part of the institution: roughly 500 actors have passed through the show, and producer Brian Fenty introduced a fresh company in May 2026, with Saranna Parlone and Ben Riddle promoted from understudies to take over as the Ralstons. That company plays to 7 November 2026. The famous twist remains — by long tradition — protected by an in-theatre request that audiences not reveal the ending. Multi-generational visits are common: parents who saw it as children bring their own.

What Makes It Special

  • Three Guinness World Records. The Mousetrap holds the records for the longest continuous run of any show in the world, for the most durable actor (David Raven, 4,575 performances as Major Metcalf), and for the longest-serving understudy (the late Nancy Seabrooke, 15 years).
  • The Olivier Award. In 2022 — the play's 70th year — the Society of London Theatre awarded The Mousetrap a Laurence Olivier Award for Special Recognition, formally acknowledging it as a unique theatrical institution.
  • The unspoken ending. Christie wrote a final-act reveal that audiences have, for more than seven decades, been formally asked at the end of each performance not to disclose. It is one of the most remarkably preserved spoilers in popular culture.
  • St Martin's Theatre itself. The Grade II-listed Edwardian theatre, with its plush red velvet seats, carved wooden fixtures and small auditorium of around 550, gives the production an intimacy that bigger West End houses can't match. The space and the play have been quietly co-evolving since 1974.
  • It is cheaper than it looks. Midweek box-office bands open at £25, the Advance Saver takes 20% off bookings made around twelve weeks out, and TodayTix releases rush seats at £29.50. Few West End institutions of this stature stay this accessible.

Everything You Need to Know

What happens in The Mousetrap?

The setting is Monkswell Manor, a Victorian country guesthouse in rural England, just opened by newlyweds Mollie and Giles Ralston. A snowstorm cuts the house off from the outside world on the same evening that the first paying guests arrive. News reaches the guesthouse that a murder has been committed in London — and that the killer is suspected to be heading towards Monkswell.

The guests

The visitors arrive in turn, each carrying a piece of suspicion. The architect-trained Christopher Wren, who behaves with theatrical flamboyance. Mrs Boyle, an unyielding retired magistrate. Major Metcalf, a stiff-backed military man. Miss Casewell, a cool young woman with an unspecified past. Mr Paravicini, a flamboyant continental who arrives unbooked, claiming his car has overturned in a snowdrift. None of their stories quite add up.

The detective and the murder

Detective Sergeant Trotter arrives on skis, having struggled through the snow to reach the house. He explains that the London murder is connected to the abuse of three children at a farm during the Second World War; the killer is taking revenge on those they hold responsible. One name on the list is at Monkswell. The phone lines go dead. The lights flicker. Before the act break, one of the guests is murdered. Everyone is a suspect.

The ending

The play closes with a reveal that the audience has, by long tradition, been formally asked not to disclose. The convention has held since 1952 with remarkable success — the ending of The Mousetrap is one of the most thoroughly preserved twists in any form of popular culture. A film adaptation cannot, by contractual agreement, be made until six months after the play's West End run ends. So far, that condition has not yet been met.