2:22 A Ghost Story at a glance

Show
2:22 A Ghost Story
London status
Closed after 7 West End seasons (2021–2024)
Current status
UK & Ireland tour 2025–2027
UK tour pricing
From £20 (typically £20–£85 depending on venue)
UK tour run
4 August 2025 – 20 February 2027
Tour venues
25+ venues including Edinburgh, Bristol, Glasgow, Oxford, Liverpool, Cardiff, Newcastle
Genre
Play (supernatural thriller)
Running time
1 hour 50 minutes, including interval
Age guidance
12+ (under 16s must be accompanied; strobe lighting)
Writer
Danny Robins (creator of BBC's Uncanny and The Battersea Poltergeist)
Director
Matthew Dunster (Shirley Valentine, Hangmen)
Awards
WhatsOnStage Best New Play 2022; Olivier-nominated
West End run
2021–2024 across Noël Coward, Gielgud, Lyric, Apollo, and Criterion theatres

UK & Ireland Tour — book now

Following its record-breaking West End residency, 2:22 A Ghost Story continues to tour the UK and Ireland through to February 2027. The current tour visits over 25 venues nationwide:

  • Edinburgh Playhouse (25–30 May 2026)
  • Aylesbury Waterside (8–13 Jun 2026)
  • Churchill Theatre Bromley (15–20 Jun 2026)
  • Cambridge Corn Exchange (22–27 Jun 2026)
  • Wolverhampton Grand
  • Portsmouth King's
  • Llandudno Venue Cymru
  • New Theatre Oxford
  • King's Theatre Glasgow
  • Bristol Hippodrome
  • Northampton
  • Norwich
  • Richmond Theatre
  • Plymouth
  • Cardiff
  • Woking
  • York
  • Liverpool
  • Newcastle
  • Nottingham
  • Aberdeen
  • Tunbridge Wells

Tickets from £20 · UK & Ireland tour runs through 20 February 2027

Book UK Tour Tickets on ATG →

Looking back: 2:22 A Ghost Story in the West End

4.2
★★★★☆

LTH Retrospective Rating

The Verdict

2:22 A Ghost Story is one of the unlikely commercial success stories of the post-pandemic West End. Danny Robins arrived as a podcaster, not a playwright, and produced a single-set, four-character supernatural thriller that ran for seven West End seasons across five different theatres between 2021 and 2024. Each season brought a fresh celebrity-led cast — Lily Allen, Cheryl, Tom Felton, Frankie Bridge, Felix Scott, Mandip Gill, Stacey Dooley, Laura Whitmore, Jake Wood — and reliably packed houses for limited runs. Few plays this century have managed that.

Matthew Dunster's production was the spine of it. Robins wrote a watchable, well-engineered evening; Dunster's direction kept the tension wound tight and the laughs — and there are plenty — earning their place rather than puncturing the unease. On tour now through 2027, with Grant Kilburn returning to the role of Ben after circumstances took Gary Lucy off the 2026 cast, the production travels well: same script, same staging discipline, smaller venues in many cases that bring the audience closer to the dread.

What Makes It Special

  • The single-set thriller engineering. One night, one dinner party, four characters arguing about whether a flat is haunted. The constraints are part of the appeal — there is nowhere for the play to hide and nowhere for the audience to escape.
  • Danny Robins' ear for British dialogue. Robins' background in BBC podcast work shows: the play speaks the way real couples and friends speak when wine has been opened and beliefs are being tested.
  • The celebrity casting model. Seven West End seasons attracted seven separate marquee castings, each pulling new audiences in. Few new plays of the last decade have generated this kind of sustained interest.
  • WhatsOnStage Best New Play 2022. An Olivier nomination followed. The play's awards record reflects how rare its commercial-and-critical alignment was.
  • The tour is the show. Same script, same direction, same Anna Fleischle set. On tour, the play often plays better than it did at the larger West End houses — these dimensions suit it.

Everything You Need to Know

What happens in 2:22 A Ghost Story?

Jenny and Sam have just moved into their first home — a Victorian house in north London — with their baby daughter Phoebe. Sam, an astronomer, has been away in Scotland on a work trip; the play opens on the night he gets back. Jenny has invited Sam's old university friend Lauren and her new boyfriend Ben round for dinner.

The thing that happens at 2:22am

Jenny is convinced the house is haunted. Every night, at 2:22am exactly, she hears footsteps crossing the baby's room and a man's voice saying her daughter's name. Sam, a scientist, doesn't believe in ghosts. Lauren, half-drunk by act two and openly hostile to Sam, sides with Jenny. Ben — a builder with an open mind — sides with neither.

The bet

Sam proposes they stay up together until 2:22am to settle the question once and for all. The clock onstage ticks in real time. The audience knows exactly when 2:22 will arrive. The play's central trick is to keep raising and lowering the temperature for the entire build-up — arguments about belief, about marriage, about what science can and can't account for — while the clock keeps moving and the air in the auditorium gets tighter.

What happens at 2:22

The marketing is strict about not spoiling the ending, and rightly so. The play's reputation rests on a genuine reveal in its final beats — one that recontextualises everything the audience has watched and that the production team have asked critics and reviewers not to discuss in print. Multiple audience members have reported it sending them out of the theatre with a real chill. The play earned its WhatsOnStage Best New Play award largely on the strength of these final fifteen minutes.