Jesus Christ Superstar at a glance

Show
Jesus Christ Superstar (Tim Sheader production)
Status
UK tour, 11 February – 23 October 2027
Star
Sam Ryder as Jesus
Tour tickets
From £20.80, varies by city — check ATG Tickets
Booking partner
ATG Tickets (official tour retailer)
Genre
Sung-through rock opera
Running time
Approximately 1 hour 55 minutes, including one interval
Age guidance
10+; loud rock music, some violence, on-stage depiction of the crucifixion
Music
Andrew Lloyd Webber
Lyrics
Tim Rice
Director
Timothy Sheader
Choreographer
Drew McOnie
Designer
Tom Scutt
Award
2017 Olivier Award — Best Musical Revival

UK Tour 2027 — book now

Following its West End engagements at the London Palladium and Theatre Royal Drury Lane, Tim Sheader's acclaimed production tours the UK from February to October 2027, opening at the Palace Theatre Manchester and closing at the Bristol Hippodrome. ATG Tickets is the official retailer for the tour:

  • Manchester (Palace Theatre)
  • Cardiff (Wales Millennium Centre)
  • Newcastle (Theatre Royal)
  • Edinburgh (Playhouse)
  • Oxford (New Theatre)
  • Norwich (Theatre Royal)
  • Southend (Cliffs Pavilion)
  • Blackpool (Winter Gardens)
  • Birmingham (Hippodrome)
  • Belfast (Grand Opera House)
  • Bradford (Alhambra)
  • Nottingham (Theatre Royal)
  • Woking (New Victoria)
  • Milton Keynes (Theatre)
  • Plymouth (Theatre Royal)
  • Glasgow (King's Theatre)
  • Southampton (Mayflower)
  • Sunderland (Empire)
  • Liverpool (Empire)
  • Aberdeen (His Majesty's)
  • Hull (New Theatre)
  • Bristol (Hippodrome)

Tour tickets from £20.80 (varies by city) · UK tour runs 11 February – 23 October 2027

Book Jesus Christ Superstar Tickets on ATG →

Expert Review: Jesus Christ Superstar

4.6
★★★★★

LTH Expert Rating

The Verdict

Some revivals improve on the original, and Tim Sheader's Jesus Christ Superstar is one of them. First staged at Regent's Park Open Air Theatre in 2016, it won the Olivier Award for Best Musical Revival and has since become the definitive modern version of Andrew Lloyd Webber and Tim Rice's rock opera — a stripped-back, industrial, movement-driven staging that leans hard into the score's rock roots. Its 2026 London seasons at the Palladium and Drury Lane confirmed its pulling power; the 2027 tour brings it to 22 cities nationwide.

The headline for this run is Sam Ryder as Jesus. A stadium-scale vocalist with the range the role demands — Gethsemane is one of musical theatre's great vocal Everests — Ryder is exactly the kind of populist, big-voiced casting that has powered this production's success. With Drew McOnie's choreography and Tom Scutt's design intact, and The Guardian calling it a gorgeous, thrilling, heavenly musical, this is about as strong as a touring musical proposition gets.

What Makes It Special

  • Olivier Award-winning. Named Best Musical Revival at the 2017 Olivier Awards, plus the Evening Standard / BBC Radio 2 Audience Award for Best Musical.
  • Sam Ryder as Jesus. The BRIT and Emmy-nominated singer brings a genuine rock voice to a score written for exactly that.
  • A rock opera, delivered as rock. Sheader's staging foregrounds the music's grit and power rather than smoothing it into conventional musical theatre.
  • World-class creative team. Choreography by Olivier winner Drew McOnie and design by Tony and Olivier winner Tom Scutt.
  • An enduring, universal story. The final days of Jesus, told through the eyes of Judas, remain gripping regardless of belief — this is drama first.

You'll love this production if you...

  • Love a proper rock score sung by big voices
  • Want to hear Sam Ryder tackle Gethsemane live
  • Appreciate bold, modern, movement-led staging
  • Enjoy Andrew Lloyd Webber and Tim Rice at their most electrifying
  • Prefer to catch an award-winning production in your own city

It might not be for you if you...

  • Prefer traditional, book-heavy musicals with spoken dialogue (this is sung-through)
  • Are sensitive to loud rock music or intense staging
  • Would find an on-stage depiction of the crucifixion difficult
  • Are bringing younger children — 10+ is the guidance
  • Expect a literal, reverent retelling rather than a contemporary reimagining

Best for

  • Musical lovers
  • Rock & pop fans
  • Sam Ryder fans
  • Lloyd Webber & Rice fans
  • Teens 10+
  • Big night out

Not recommended for younger children or audiences who prefer traditional, dialogue-driven musicals.

Awards & Reception

Tim Sheader's production won the 2017 Laurence Olivier Award for Best Musical Revival, as well as the Evening Standard / BBC Radio 2 Audience Award for Best Musical, and has drawn consistent critical acclaim across its Regent's Park, Barbican, international and West End runs. The Guardian described it as a gorgeous, thrilling, heavenly musical. Its 2026 seasons at the London Palladium and Theatre Royal Drury Lane — the latter with a rotating line-up of star names as King Herod — underlined its enduring popularity ahead of the 2027 tour.

Source: 2017 Laurence Olivier Awards; The Guardian; published production history.

Everything You Need to Know

What is Jesus Christ Superstar about?

Jesus Christ Superstar retells the final week in the life of Jesus of Nazareth — from his arrival in Jerusalem to his crucifixion — but tells it from an unexpected point of view: that of Judas Iscariot. Rather than a straightforward passion play, it's a psychological rock opera about fame, doubt, politics and betrayal.

Judas's perspective

Judas opens the show already uneasy. He worries that the movement around Jesus has spiralled beyond control, that the mythology is outrunning the man, and that it will end in disaster. The production's power comes from taking his doubts seriously, making him a tragic figure rather than a simple villain.

The final days

Across a sung-through score, the story moves through the mounting tension in Jerusalem, the Last Supper, Gethsemane, the betrayal, the trial before Pilate, Herod's mocking court, and the crucifixion. There is no spoken dialogue — the entire drama is carried by the music.

A rock opera, not a hymn

The score careers from grinding rock and lung-busting ballads to lilting melodies and rousing chorales. It's this range — and the decision to treat a sacred story with the energy of a rock concert — that made the piece so startling in 1971 and keeps it thrilling today.