Sunny Afternoon at a glance

Show
Sunny Afternoon
Venue (West End)
Harold Pinter Theatre, London SW1Y 4DN
Premiere
Hampstead Theatre, April 2014
West End opening
28 October 2014
West End closing
29 October 2016
Total London audience
Over 430,000
Genre
Musical (jukebox / book musical)
UK tour pricing
From £20 (typically £20–£75 depending on venue and seat)
UK tour remaining dates
Until 23 May 2026 (Edinburgh, Inverness, Liverpool, Cardiff)
Running time
Approximately 2 hours 20 minutes, including interval
Age guidance
12+
Music & lyrics
Ray Davies
Book
Joe Penhall
Original story
Ray Davies
Director
Edward Hall
Producers
Sonia Friedman Productions; ATG Productions (2025/26 tour)
Awards
4 Olivier Awards (2015) including Best New Musical

Retrospective Review: Sunny Afternoon at the Harold Pinter Theatre

4.5
★★★★★

LTH Expert Rating

The Verdict (looking back)

Sunny Afternoon was, by some distance, one of the most musically credible jukebox shows the West End has produced. The standard problem of the genre — that the songs were written for an audience that didn't know they were going to be plot points — was solved in the most direct way possible: Ray Davies himself wrote the music, took a hand in the original story, and let Joe Penhall shape the book. The result was the rare hybrid of catalogue hits and genuine theatrical writing, and it earned its four Olivier Awards.

Edward Hall's production, with Miriam Buether's design and Adam Cooper's choreography, kept the staging tight and the band central to the action. John Dagleish's Olivier-winning Ray Davies and George Maguire's Olivier-winning Dave gave the brothers a sibling truth that powered the second act, where the band's success starts to fracture them. Two years at the Harold Pinter, 430,000 audience members and four Oliviers later, the production closed in October 2016 — and the 2025/26 UK tour has reminded audiences exactly why it worked.

Why it mattered

  • A songwriter-led musical. Sunny Afternoon broke the standard jukebox formula by having the original songwriter — Ray Davies — directly involved in shaping the show. The musical and vocal adaptations were by Davies and Elliott Ware, based on original Kinks recordings, and the result felt much closer to the source material than most jukebox musicals manage.
  • Joe Penhall's book. Penhall (Blue/Orange, Mood Music) wrote a properly observed book about class, brothers, art and the music business — not a connect-the-songs exercise. The result earned the show comparisons to Once and Jersey Boys at the upper end of the form.
  • Four Olivier Awards in 2015. Best New Musical, Outstanding Achievement in Music (Ray Davies), Best Actor in a Musical (John Dagleish), and Best Supporting Actor in a Musical (George Maguire). One of the most decorated Olivier nights of the decade for a musical.
  • The Kinks catalogue. You Really Got Me, Waterloo Sunset, Lola, All Day and All of the Night, Dedicated Follower of Fashion, A Well Respected Man, Sunny Afternoon itself — one of the strongest British pop catalogues of the 1960s, delivered live by the cast.
  • An entry point to The Kinks. For audiences who only knew the singles, the show built a serious case for Ray Davies as one of the great songwriters of his generation. Several rave reviews — Telegraph "a blazing triumph"; The Times "indisputably terrific" — drew specifically on the rediscovery of the deeper catalogue.

Critical Reception (2014–16 West End run)

Sunny Afternoon opened to almost universally enthusiastic reviews — at both Hampstead Theatre in 2014 and the Harold Pinter Theatre after its transfer — with critics praising Ray Davies's involvement, Joe Penhall's book, Edward Hall's direction, and the central performances. The Telegraph called it "a blazing triumph"; The Times described it as "indisputably terrific". Verified ratings from major UK publications:

  • The Telegraph ★★★★★
  • The Times ★★★★★
  • The Guardian ★★★★
  • The Independent ★★★★
  • Financial Times ★★★★
  • Evening Standard ★★★★
  • WhatsOnStage ★★★★

Source: published reviews of the Hampstead Theatre premiere (April 2014) and Harold Pinter Theatre West End transfer (October 2014). The 2025/26 UK tour has received similarly positive notices.

About the Production

What happens in Sunny Afternoon

Sunny Afternoon dramatises the rise of The Kinks from working-class North London brothers to international rock stars in the mid-1960s. The book follows Ray and Dave Davies — sons of a working-class family in Muswell Hill — as they form a band with bassist Pete Quaife and drummer Mick Avory, sign a publishing deal with American producer Eddie Kassner and a management deal with Grenville Collins, and embark on a meteoric and self-destructive rise.

Act I — Forming The Kinks

The act opens in a Britain caught between the buttoned-up 1950s and the about-to-explode 1960s. Ray and Dave are signed; their first single flops; their second — "You Really Got Me" — invents a sound that arguably starts the British heavy guitar tradition. The act follows their first US tour, the union ban that exiled the band from American TV, the success of the title song, and the dawning awareness that the publishing and management deals they signed in their teens are not in their favour.

Act II — Cost

Act II turns on the cost of everything that's gone before. The brothers' relationship splinters. Ray's marriage cracks under the pressure of constant touring. The financial deal turns sour. The band keeps producing some of the best songs of the era — Waterloo Sunset, Sunny Afternoon, A Well Respected Man — while it falls apart underneath them. The show closes with a kind of reconciliation, the band still standing, and the songs the audience came to hear played in full as the curtain falls.

The setlist

The show draws on roughly 20 Kinks songs across both acts, including: You Really Got Me, All Day and All of the Night, Tired of Waiting for You, A Well Respected Man, Dedicated Follower of Fashion, Sunny Afternoon, Dead End Street, Waterloo Sunset, Autumn Almanac, Days, Lola, I'm Not Like Everybody Else, and This Strange Effect. The cast band perform the songs live on stage.