A Christmas Carol Goes Wrong at a glance

Show
A Christmas Carol Goes Wrong
London status
Apollo Theatre run closed 25 Jan 2026 after 7 sold-out weeks
Current status
UK tour continues to 1 March 2026
West End return
Wyndham's Theatre, Christmas 2026
Tour pricing
From £20 (typically £20–£85 depending on venue)
2025/26 tour run
2 November 2025 – 1 March 2026
2026/27 tour run
October 2026 – 27 February 2027
Genre
Comedy (festive farce / physical comedy)
Running time
Approximately 2 hours 20 minutes, including interval
Age guidance
8+ (recommended for older children and adults)
Writers
Henry Lewis, Jonathan Sayer, Henry Shields
Director
Matt DiCarlo (The Comedy About Spies)
Producers
Kenny Wax and Stage Presence, in association with Mischief Theatre
Origin
Expanded from Mischief's 2017 BBC One TV special (watched by 4.61 million)

UK Tour & Wyndham's Theatre 2026 — book now

Following its sold-out West End run at the Apollo Theatre, A Christmas Carol Goes Wrong continues on tour through March 2026 before returning to London's Wyndham's Theatre for Christmas 2026 and a further UK tour through February 2027. Booking is open now for most dates:

  • Theatre Royal Nottingham (27–31 Jan 2026)
  • Waterside Theatre Aylesbury (3–7 Feb 2026)
  • Festival Theatre Edinburgh (10–15 Feb 2026)
  • King's Theatre Glasgow (17–22 Feb 2026)
  • Marlowe Theatre Canterbury (24 Feb – 1 Mar 2026)
  • Churchill Theatre Bromley (27–31 Oct 2026)
  • Wyndham's Theatre London (Christmas 2026)
  • King's Theatre Portsmouth (24–28 Nov 2026)
  • New Theatre Cardiff (9–13 Feb 2027)
  • Norwich, Wolverhampton, Manchester
  • Milton Keynes, Birmingham, Newcastle

Tickets from £20 · 2026/27 tour runs to 27 February 2027

Book Tour & Wyndham's Tickets on ATG →

Looking back: A Christmas Carol Goes Wrong at the Apollo

4.7
★★★★★

LTH Retrospective Rating

The Verdict

Mischief have been quietly building a franchise that runs parallel to anyone else's idea of how to make commercial theatre. The Play That Goes Wrong has lived at the Duchess Theatre for more than ten years; The Comedy About Spies recently completed a successful West End run; Peter Pan Goes Wrong has toured internationally. A Christmas Carol Goes Wrong is the franchise's bid for a permanent place in the West End Christmas calendar, and on the evidence of the sold-out 7-week 2025/26 Apollo season, it has succeeded.

Henry Lewis, Jonathan Sayer and Henry Shields wrote the stage version off the back of their successful 2017 BBC television special, which was watched by 4.61 million people and featured Diana Rigg and Derek Jacobi. The 2025 production, directed by Matt DiCarlo (whose direction of The Comedy About Spies earned strong notices), keeps Mischief's signature physical-comedy discipline. The Wyndham's Theatre return for Christmas 2026 — a bigger West End house — suggests the producers' confidence in the show as a long-term proposition.

What Makes It Special

  • The franchise discipline. Mischief have refined the "amateur company performs a doomed production" template across more than a decade. The Cornley Drama Society's gradually escalating disasters are paced as carefully as a thriller's twists — the laughs build, never repeat.
  • The Dickens hook. A Christmas Carol is one of the most theatrically staged stories in the canon. Mischief's specific genius is choosing source material the audience already knows by heart, then puncturing every famous beat — Marley's ghost, the three spirits, Tiny Tim — with a fresh catastrophe.
  • Mischief's founding writers, Mischief's founding cast. Henry Lewis (Robert), Jonathan Sayer (Dennis) and Greg Tannahill (Jonathan) wrote and starred. Few comedies of the past decade benefit so much from having their authors actually on stage.
  • The sold-out Apollo run. Seven weeks of full houses over a peak Christmas season at a 775-seat West End theatre is a hard commercial achievement. The Wyndham's transfer for Christmas 2026 confirms the producers see it as the long-term anchor.
  • The TV-stage crossover. Audiences who knew Mischief from The Play That Goes Wrong on BBC One arrived already understanding the show's rhythm. The pre-existing audience meant Apollo sold out without the usual extended preview run.

Everything You Need to Know

What happens in A Christmas Carol Goes Wrong?

The Cornley Amateur Drama Society — that accident-prone collective at the heart of every Mischief production — has decided to mount Charles Dickens's A Christmas Carol. They have ambition. They have a script. They have, possibly, just about enough props. What they do not have is anything resembling competence.

The premise

Robert Grove (Henry Lewis), the company's self-important director, is determined that this year's Christmas show will be the one that finally establishes Cornley as a serious theatrical force. Chris Bean (Daniel Fraser) is cast as Ebenezer Scrooge. Jonathan Harris (Greg Tannahill) plays Bob Cratchit. Dennis Tyde (Jonathan Sayer), as usual, has not learned his lines and is reading from cue cards taped to the set. Annie Twilloil (Nancy Zamit) is officially stage manager but keeps being dragged onstage to cover for missing cast.

Where it all starts to go wrong

The set begins to come apart almost as soon as the curtain goes up. Marley's ghost arrives via a rigging mishap; the Ghost of Christmas Past brings the wrong scenery; the Ghost of Christmas Present sets fire to something. The technical disasters are precisely choreographed — each one engineered, in true Mischief style, to require six more disasters to fix. Behind the chaos, a long-running internal feud over who should really be playing Scrooge boils over.

Why the structure works

What looks like chaos is one of the most disciplined comedic structures in modern theatre. Every prop fails in a way the audience has been set up to expect; every entrance arrives late by an interval the cast have telegraphed three scenes earlier. Mischief's house style is to write the disasters first, then build the rest of the script around them. The Dickens framework gives the writers ten of the most recognisable scenes in English literature to ruin in front of the audience, and they ruin every single one.