Chicago The Musical at a glance

Show
Chicago The Musical (UK and Ireland Tour 2024/25)
Music
John Kander
Lyrics
Fred Ebb
Book
Fred Ebb and Bob Fosse
Based on
The 1926 play Chicago by Maurine Dallas Watkins
Original choreography
Bob Fosse (1975)
1996 revival choreography
Ann Reinking, in the style of Bob Fosse
1996 revival direction
Walter Bobbie
Tour producers
David Ian for Crossroads Live, with Barry and Fran Weissler
Tour opening
12 October 2024, Milton Keynes Theatre
Tour closing
23 August 2025, King's Theatre Glasgow
London-area date
New Wimbledon Theatre, 9–14 June 2025
Genre
Musical — jazz / vaudeville / cynical comedy
Running time
Approximately 2 hours 30 minutes, including interval
Age guidance
12+
Tour cast (rotating)
Janette Manrara / Faye Brookes (Roxie Hart); Djalenga Scott (Velma Kelly); Kevin Clifton / Darren Day / Dan Burton (Billy Flynn); Brenda Edwards / Sinitta (Mama Morton); Joshua Lloyd (Amos Hart); Jordan Lee Davies (Mary Sunshine)
Awards
6 Tony Awards (1997 revival), 2 Olivier Awards, 1 Grammy Award

Retrospective Review: Chicago UK Tour 2024/25

4.4
★★★★☆

LTH Expert Rating

The Verdict

Chicago in 2024/25 was, as it has been since 1996, the genuine article: Walter Bobbie's revival, Ann Reinking's Fosse-style choreography, the jazz-band-on-stage staging, and a parade of Kander and Ebb numbers that have lost none of their bite. Crossroads Live's tour — produced with the original Weisslers — sent the show across 22 UK and Ireland venues from October 2024 to August 2025, with a rotating star cast that gave each leg its own headline appeal.

Janette Manrara (Strictly Come Dancing, BBC Radio 2) and Faye Brookes shared Roxie Hart duties; Djalenga Scott returned to Velma Kelly from earlier tours; Kevin Clifton, Darren Day and Dan Burton split Billy Flynn across the tour's venues; Brenda Edwards and Sinitta shared Mama Morton. The casting strategy — major TV-famous names rotating across the tour — drew strong audiences across the run, and the production's reputation for delivering reliable Fosse-flavoured pleasure continued unbroken.

What made it special

  • The 1996 revival, still going strong. Walter Bobbie's pared-back production, with Ann Reinking choreographing in the style of Bob Fosse, remains the canonical staging of Chicago. The 2024/25 tour delivered it intact.
  • A rotating TV-famous star cast. Manrara, Brookes, Clifton, Day, Edwards and Sinitta gave each tour leg a different commercial flavour while maintaining production quality.
  • The Kander and Ebb score. All That Jazz, Cell Block Tango, Razzle Dazzle, Mister Cellophane, When You're Good to Mama, Class — one of the strongest set lists in any musical, delivered live by a 14-piece band on stage.
  • The longest-running American musical. The 1996 revival has run on Broadway continuously since November 1996, making it the longest-running American musical in Broadway and West End history. The UK tour continues that legacy.
  • A London-area date. New Wimbledon Theatre in June 2025 gave London audiences a week to catch the production without travelling to a regional venue, a deliberate strategic call by Crossroads Live.

Critical Reception

Chicago's 1996 revival has been near-universally praised since its Broadway opening and has consistently drawn strong reviews across its multiple UK and international tours. The Daily Telegraph has called it superb; Metro called it the sexiest musical ever. The 2024/25 UK tour was praised for cast quality and the enduring strength of the original production.

  • The Daily Telegraph ★★★★★
  • The Times ★★★★
  • Evening Standard ★★★★
  • WhatsOnStage ★★★★
  • The Guardian ★★★★
  • Metro ★★★★
  • BroadwayWorld ★★★★

Source: published reviews of Chicago's 1996 Broadway revival and subsequent UK tours, including the 2024/25 Crossroads Live tour.

About the Production

What happens in Chicago

Set in 1920s Chicago in the era of Prohibition, the musical follows Roxie Hart, a housewife and aspiring nightclub dancer who shoots her on-the-side lover after he threatens to leave her. Arrested and sent to Cook County Jail, Roxie meets fellow inmate Velma Kelly — a former vaudeville star also awaiting trial for murder — and Matron "Mama" Morton, who runs the women's block as a transactional fiefdom.

Desperate to avoid the death penalty, Roxie hires the city's slickest criminal lawyer, Billy Flynn, who specialises in turning his clients' crimes into media spectacles. Across the two acts, Roxie and Velma alternately collaborate and compete for media attention as Flynn manufactures public sympathy through press conferences, dramatic court appearances and outright lies.

The show's central observation — that fame and notoriety in twenties America were essentially interchangeable, and that the legal system was a stage for performance rather than a forum for justice — has aged into uncomfortable contemporary resonance. The numbers come thick and fast: All That Jazz, Cell Block Tango, When You're Good to Mama, Mister Cellophane, Razzle Dazzle, We Both Reached for the Gun, and Roxie.